The book feels like a writer working within his limits and not breaking any new ground, believes KEN COCKBURN
Mary Shelley (12A)
Directed by Haifaa al-Mansour
TWO centuries after Mary Shelley wrote her classic work Frankenstein, regarded as one of the first works of science fiction, there have been umpteen film and stage versions of her complex and unconventional novel and this latest is a deliciously gothic romantic drama.
Shelley, played by Elle Fanning, was a feminist trailblazer who at the age of 16 ran away with the married radical poet Percy Bysshe Shelley (Douglas Booth), taking her stepsister Claire Clairmont (Bel Powley) with her and with whom he later became involved.
She started writing Frankenstein when she was just 18 years old during a stay at the mansion of Lord Byron (Tom Sturridge) in Geneva when he challenged his guests to a ghost-story writing competition. But she was forced to publish her work anonymously at first, due to the conventions of the time.
MARIA DUARTE and ANGUS REID review Friendship, Four Letters of Love, Tin Soldier and The Ballad of Suzanne Cesaire
The Star's critic MARIA DUARTE reviews Along Came Love, The Ballad of Wallis Island, The Ritual, and Karate Kid: Legends
MARY CONWAY is disappointed by a play that presents Shelley as polite and conventional man who lives a chocolate box, cottagey life



