Skip to main content
Donate to the 95 years appeal
Mining history to mark anniversary of coal industry nationalisation
On Behalf of the People

On Behalf of the People
Carriageworks Theatre, Leeds

COMMISSIONED by the National Coal Mining Museum for England, this production of On Behalf of the People is one of the events commemorating the 70th anniversary of the nationalisation of the mining industry.

Written after extensive research at the museum and in former mining communities, Ray Castleton has created a family drama for The Melting Shop, which wears its political allegiance close to its heart.

The recognisable character types are imbued with just enough humanity to sidestep outright stereotype in a play whose focus is the generational conflict between George Mason (Ray Ashcroft) — a committed union man and Labour supporter who returned from WWI to find that the promised “land fit for heroes” was a lie — and his son Tom (Danny Mellor), a modestly aspirational veteran of the second world war.

It’s the latter’s girlfriend Liz (Lizzie Frain) who's the spark for some of the most interesting scenes, despite her character being the least developed. She convincingly challenges Mason’s uncompromising view about her strikebreaking father and, having enjoyed work opportunities and education during the war, she’s no longer prepared to settle down as a housewife.

The domesticity of the play is accentuated by Charlie Kenber’s unobtrusive direction, which places the audience in a square around the action and peripherally involves them in the wearing of rosettes and the distribution of Labour for Homes leaflets.

That engagement resonates with the bitter-sweet ending in 1947, which sees the family looking towards a better future following the nationalisation of the mines and the anticipated establishment of the NHS.

Tours until July 20, details: themeltingshop.co.uk

 

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
tambo
Theatre review / 16 May 2025
16 May 2025

SUSAN DARLINGTON is bowled over by an outstanding play about the past, present and future of race and identity in the US

Jonathan Hanks in A Christmas Carol
Theatre Review / 23 December 2024
23 December 2024
SUSAN DARLINGTON enjoys, with minor reservations, the Northern Ballet’s revival of its 1992 classic
Tristan Sturrock and Katy Owen in Emma Rice’s Blue Beard
Theatre review / 6 March 2024
6 March 2024
SUSAN DARLINGTON revels in an exhilarating adaptation of the gruesome fairytale that invokes the real-life horror of women lost to male violence
(L to R) Eddie Ahrens, Rachel Hammond, Hannah Baker and Harv
Theatre Review / 23 May 2023
23 May 2023
SUSAN DARLINGTON is disappointed by a show that aims to highlight misogyny within the police but fails to arrest the audience's attention
Similar stories
NUANCED AND COMMANDING: Bessie Carter as Vivie Warren) and Imelda Staunton as Mrs Kitty Warren / Pic: Johan Persson
Theatre review / 25 May 2025
25 May 2025

MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow

THE HOSTESS FROM HELL: Kym Marsh as Beverly with Graeme Hawl
Culture / 11 April 2025
11 April 2025
PAUL FOLEY is disappointed by a production that encourages the audience to laugh at rather than with the characters
SOLIDARITY: Miners’ wives and their supporters arrive in L
Features / 22 March 2025
22 March 2025
In the second extract from her new memoir, former NUM headquarters staffer HILARY CAVE recounts the bitter struggle to provide sustenance for strikers’ families, and the invidious role of David Willetts – now in the House of Lords
WANNABE SHAKESPEAREAN: Temi Wilkey in Main Character Energy
Theatre Review / 27 February 2025
27 February 2025
PETER MASON suggests that someone should fulfil the dreams of a talented (and privileged) British Nigerian actor