The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Megapocalypse now
RITA DI SANTO assesses the political reaction to Francis Coppola’s epic, self-funded depiction of the decline of the US empire
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
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RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
Megapolis
Directed by Francis Ford Coppola
AFTER a long period of artistic silence, at the age of 85, Francis Ford Coppola, the director of The Godfather and Apocalypse Now, is back at the Cannes Festival with a huge work, Megalopolis, a film self-funded to the tune of $120 million, that talks about philosophy, architecture, physics, love, power and politics.
Set in a futuristic city called The City of New Rome is a story keenly relevant to the politics of today. A narrative voice at the beginning of the movie tells that “All empires are destined to collapse,” and New Rome shows all the signs of an empire that is doomed.
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