GLENN BURGESS suggests that, despite his record in Spain, Orwell’s enduring commitment to socialist revolution underpins his late novels
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Lynne Walsh's theatre of the year
CHRISTOPHER POLLARD explains how and why neoliberalism adopted the racist agenda common to the populist right of today
SYLVIA HIKINS recommends a sweeping survey of the world's biggest desert and the people who live there
GUILLERMO THOMAS is persuaded by a scathing critique of the Church of England and its embeddedness in imperialism
MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
AN EVENTFUL year, with murders, kidnapped children, suicidal depression, lost souls and found loves.
Conor McPherson’s Girl from the North Country won standing ovations at the Old Vic, with its magical use of Bob Dylan’s finest songs.
This took many, including critics, by sweet surprise. There are always cynics claiming McPherson’s work lacks teeth and the hopeless floundering of hapless drifters in the liminal space of a flophouse or bar may not be to everyone’s taste, but this carried an emotional charge reminiscent of a Steinbeck or Miller.
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LYNNE WALSH reports from the Women’s Declaration International conference on feminist struggles from Britain to the Far East
Caroline Darian, daughter of Gisele Pelicot, took part in a conversation with Afua Hirsch at London’s Royal Geographical Society. LYNNE WALSH reports
This year’s Bristol Radical History Festival focused on the persistent threats of racism, xenophobia and, of course, our radical collective resistance to it across Ireland and Britain, reports LYNNE WALSH
LYNNE WALSH previews the Bristol Radical History Conference this weekend
