DAVID MORGAN recommends a refreshingly inspiring novel that features encounters with some tremendous women
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London’s blighted skyline
Despite its anti-socialist bias, JOHN GREEN recommends a new survey of British architecture that seeks to educate and provoke
MISUNDERSTOOD BRUTALIST GENIUS: Gordon Benson and Alan Forsyth of the London Borough of Camden's Architects' Department, 1974-6, Grade II listed in 2010 - ‘Camden have arguably succeeded in building some of the highest quality council accommodation in the country'
[George Rex/CC] 
BOB NEWLAND recommends a political thriller from former anti-apartheid activist Peter Hain
JAMES WALSH speaks to Chris Thorpe-Tracey - among many things, a one-time Morning Star columnist — about songs, cities, politics and prophecy
New releases from Max Richter, Julius Asal, and Jean-Michel Jarre
RON JACOBS applauds a reading of black history in the US that plots the path from autonomy to self-governance and then liberation
TOM KING relishes an enlightening history of the checkered progress of the war that humanity has waged on bacteria
ANDY HEDGECOCK is intrigued by a scholarly account of how systemic disinformation can exacerbate the perception of threat and foster hatred
A Short History of British Architecture - from Stonehenge to the Shard
Simon Jenkins, Penguin Viking, £26.99
SIMON JENKINS is one of our last remaining journalists of the old school – he writes with passion as well as compassion, perceptively and rationally, in a style that combines articulateness, erudition and accessibility.
Jenkins has been deputy chair of English Heritage and today is chair of the National Trust. Although he is a conservative with a small “c” and despises many of those with a capital “C”, his commentaries are always provocative and apposite. This, his latest book, will enlighten and entertain, as it will undoubtedly annoy some of our more extremist architectural iconoclasts.
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JOHN GREEN has doubts about the efficacy of the Freedom of Information Act, once trumpeted by Tony Blair
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JOHN GREEN welcomes a remarkable study of Mozambique’s most renowned contemporary artist
Despite the primitive means the director was forced to use, this is an incredibly moving film from Gaza and you should see it, urges JOHN GREEN
