MARIA DUARTE and ANGUS REID review Materialists, Unmoored, Together, and Bambi: A Tale of Life in The Woods
Locating liberation
JOHN BUTCHER tells Chris Searle why he and Joe McPhee went into the Texan desert to create one of the most free-form jazz recordings ever
John Butcher
[Andy Newcombe/Creative Commons] 
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
GORDON PARSONS endures heavy rock punctuated by Shakespeare, and a delighted audience
STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
IMAGINE if you can a more surprising recording location than that chosen by virtuoso saxophonists John Butcher and Joe McPhee back in April 2010.
Unaccompanied, and under the huge skies of the rock-strewn and treeless Chihuahuan desert in Texas, they played standing and walking on the cruciform shale walkways and inside the giant steel doors of the four buildings full of sculptural works by New York artist and architect James Magee, ex-denizen of a New York City junkyard.
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CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
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Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
