ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Lessons from the past for the Labour left
ANDREW MURRAY welcomes a sympathetic history of two waves of left advance within Labour and the contest between the support they could mobilise and the forces ranged against them
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
The Searchers
Andy Beckett, Allen Lane, £30
IT is impossible to read this book without a certain sense of pathos. Five years ago, three of its subjects — Jeremy Corbyn, Diane Abbott and John McDonnell — were on the verge of acceding to the highest offices in the land should Labour secure election victory.
Today, one struggles for re-election as an independent against his old party, another has just emerged from a 13-month suspension and brief barring from standing for Labour, and all three are marginalised within party and Parliament.
Guardian writer Andy Beckett ties their stories together with their contemporary Ken Livingstone and their predecessor Tony Benn in a collective quasi-biography that ambitiously aims to tell the story of the Labour left over the last 50 years or so.
More from this author
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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LYNNE WALSH is spell-bound by a production of Beckett’s classic that weaves the big themes of alienation into the warp and weft of humour and friendship
In a bittersweet farewell to the heights of the Corbyn era, ISAAC KNEEBONE-HOPKINS celebrates the festival's success in blending serious debate with hedonistic energy while acknowledging the need for deeper grassroots engagement