GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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ALISTAIR FINDLAY welcomes a fine collection of football poems that celebrate a generational shift in both the sport and the culture
POETRY IN MOTION: The Scotland players thank the fans after the UEFA Women's Euro 2025 qualifying match against Serbia won 1:0 and played at Firhill Stadium in Glasgow on July 16 2024
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
We Are Scottish Football
Julie McNeill, Luath, £7.99
THE publication of Julie McNeill’s new collection was perfectly timed to coincide with the Euros and future Women’s World Cup qualifiers. Its poetic focus may be on Scotland but its reach is global because football is global, as it has been since at least the 1950s as a male domain.
In capitalist terms women’s football is being sponsored because it has brought to the market a new audience of young girls and women with a growing fan base — mums, aunts, grannies, sisters, dads, uncles, boy and girl friends. It has already created a new infrastructure of players, coaches, trainers, physios, managers, scouts, pitches, referees and football strips being sold with the names of female football stars.
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ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event
RUTH AYLETT reviews two collections of outright political poetry