The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Just say No to family values
MARY CONWAY is spellbound by an outstanding and relentless rendition of the universal family drama
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
A Long Day’s Journey into Night
Wyndham’s Theatre, London
THAT Eugene O’Neill’s A Long Day’s Journey into Night is a towering masterpiece is no longer up for debate.
Gifted to the world by the author in the 1950s — but never seen on stage by him — it’s a deeply confessional, autobiographical work that immerses us in the painful and profoundly tragic impact, not only of one family unit on its members, but also of each family member on the unit. Though the setting could not be more specific, no-one could watch this play without recognising something of their own, and every family, in its slow, deep burn and inner turmoil.
Iconic productions of the play have abounded over the years. Now it’s director Jeremy Herrin’s turn to thrill whole new generations with a detailed and passionate exposition.
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