STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Julian Cope: Coping brilliantly
WILL STONE sees the former Teardrop Explodes legend deliver a rousing set of fuck-off folk
Julian Cope
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
Julian Cope
Barbican, London
AMBLING on to the Barbican stage in his trademark military hat, golden mane, jackboots and shades — completed by a sleeveless jacket and shorts — the larger-than-life Julian Cope is not as terrifying as he looks. Actually, he’s a real sweetheart.
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‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
