Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Jazz albums: Memorable meanderings from McPhee and fellow travellers
Journey to Parazzar
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Joe McPhee, John Edwards and Klaus Kugel
Journey to Parazzar
(Not Two)
Rodrigo Amado, Joe McPhee, Kent Kessler and Chris Corsano
A History of Nothing
(Trost Records)
SOUL Bar Parazzar is a jazz venue in Bruges whose name is a play on the French word for chance and lucky were the listeners who happened on this trio playing there in September 2017, at the final gig of this of Joe McPhee, John Edwards and Klaus Kugel’s European tour.
The triumvirate Journey to Parazzar consisted of saxophonist McPhee, joined by Klaus Kugel and bassist John Edwards and they begin with Re-hairing in Zaporozhye, where the record was waxed and Edwards got his bass bow rehaired, and he produces a deep flurry of springing notes as if his instrument were reborn.
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CHRIS SEARLE speaks to Rwanda-born jazz vocalist INEZA
CHRIS SEARLE speaks to Ghanaian trumpeter PETER SOMUAH
