The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
It’s all right Ma
MARY CONWAY admires a depiction of the tragic, lonely private self of those who spend their lives pretending they are fine
Lady Dealer
Bush Theatre, London
THE BUSH THEATRE, under Lynette Linton’s artistic direction, works hard to bring us the voices of minoritised people and groups.
Lady Dealer — direct from the Edinburgh Festival and a product of lockdown — entices us into the private world of one such person: Charley, a young forgotten woman of our times.
Charley lives alone like many other young women, but, as a drug dealer who is also a woman, she is a rare beast who, when suddenly becoming aware that she has an audience, proceeds to confide in — and practise her fragile social skills on — us.
More from this author
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
ANGUS REID time-travels back to times when Gay Liberation was radical and allied seamlessly to an anti-racist, anti-establishment movement
ANGUS REID speaks to historian Siphokazi Magadla about the women who fought apartheid and their impact on South African society
Similar stories
MARY CONWAY admires a vivid, compassionate portrait of a father and daughter pinioned in the criminal underclass
STEVE ANDREW relishes a survey that sets the genre within a wider social, cultural and political context