The bard gives us advance notice of his upcoming medieval K-pop releases
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Comics and the counter-hegemony
STEVE ANDREW relishes a survey that sets the genre within a wider social, cultural and political context
The cover of The World's Comics 1, July 6 1892
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
British Comics: A Cultural History
James Chapman, Reaktion, £15
RECENTLY published in paperback, this entertaining, thoughtful and detailed analysis of British comics from the late Victorian period to the present day is not to be missed. Written with insight and passion, if you don’t see yourself as interested in comic books then this might well be the text to get you started.
And let’s be honest, comics haven’t had a very good press, not just from mainstream commentators but from many on the left. Depicted as the worst of an already low and trashy culture, they have often been labelled violently right-wing, racist and misogynistic so much so that in the late 1940s and ’50s the Communist Party of Great Britain joined hands with some unlikely allies to campaign against what were seen as reactionary and effectively pro-imperialist imports.
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