JOHN GREEN surveys the remarkable career of screenwriter Malcolm Hulke and the essential part played by his membership of the Communist Party
The importance of optimism
WILL PODMORE is enlightened by the achievements of a 17th century scientist whose work anticipates computer programming as well as Marx’s materialism
The Star's critic MARIA DUARTE reviews Last Breath, Sister Midnight, Opus, and The Electric State
HENRY BELL is moved by the account of scientists under seige in Leningrad who preferred to starve rather than sacrifice their life-saving work
RUTH AYLETT recommends two anthologies: one that bears witness to refugee and immigrant experiences, and the other to our political relationship to water
SETH SANDRONSKY appreciates a fresh take on a 100-year-old novel that helps to contextualise the current moment of conspicuous wealth, waste and climate chaos
A no-nonsense ex-Garda female cop, Scandi-noir’s newest flawed hero, the lure of Aussie gold, and unexpected decency in Silicon valley
JAN WOOLF doubts that soft-core musical is the best way to transmit an important story of heroism and resistance
The Best of all Possible Worlds: A Life of Leibniz in Seven Pivotal Days
Michael Kempe, Pushkin Press, £20
MICHAEL KEMPE, director of the Leibniz Archive in Hanover, has written an enthralling biography of Gottfried Wilhelm Leibniz. It is not a conventional biography. Instead Kempe presents a series of snapshots of significant days in Leibniz’s life, vivid pictures of how he lived and worked in Paris, Zellerfeld, Hanover, Berlin and Vienna.
Leibniz was one of the last representatives of a type of universal scientist, with the 17th century scientific revolution’s optimistic trust in progress, and also with the hope, dating back to the Renaissance, of being able to lay claim to all the world’s knowledge. In his amazingly productive life, Leibniz indeed made major contributions across a huge range of disciplines.
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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