PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
AND SO the Brexit nightmare rolls on and on. I know what the opinion of this newspaper is and the economic argument for Leave is sound, but a smegbucket of predominantly right-wing xenophobia foisted on the nation by the odious David Cameron and presided over by a maggotcluster of Tories with a collective allegiance to the politics of a very parsimonious Ebenezer Scrooge is not for me.
Wednesday’s leadership challenge result provided a prime example of this. Rees Mogg says a 60 odd per cent win is a terrible result for May — but a 52 per cent win for Leave is “the will of the people.” Some logic there, I don’t think. Go and boil your expensively tailored bottom, you studiedly mannered spawn of Bertie Wooster and a velociraptor.
Anyway, in the midst of all this chaos I am off the road, have finished my stories of travels and gigs for the year and now present you with my cultural highlight of 2018.
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess



