A November 15 protest in Mexico – driven by a right-wing social-media operation – has been miscast as a mass uprising against President Sheinbaum. In reality, the march was small, elite-backed and part of a wider attempt to sow unrest, argues DAVID RABY
John McLaughlin and the 4th Dimension
Live at Ronnie Scott’s
(Mediastar2)
JOHN McLAUGHLIN’S Gaza City, from his March 2017 album Live at Ronnie Scott’s is one of those very few and precious recorded jazz performances that resonate with the living reality of epochal moments of people’s struggles.
It is comparable to John Coltrane’s Alabama, the tribute to the four girls murdered by racists’ dynamite in the basement of a church in Birmingham, Alabama, in 1963 in the midst of the civil rights campaign, or Hugh Masekela’s Sharpeville, exposing the deathly violence of South African apartheid, or Freddie Hubbard’s 1971 threnody Sing Me A Song of Songmy, an album dedicated to the families slaughtered by rampaging US troops in a Vietnamese village.
Chris Searle speaks to saxophonist XHOSA COLE and US tap-dancer LIBERTY STYLES



