RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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The great wine press of the wrath of God
PAUL DONOVAN admires a brave attempt to stage John Steinbeck’s epic tale of poverty-stricken 1930s America
wrath
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
The Grapes of Wrath
National Theatre
IT is a very difficult task to adapt John Steinbeck’s brilliant 1939 book, the Grapes of Wrath, for the stage. It is a brave dramatic act to even try, let alone achieve.
This attempt at the National Theatre, using Frank Galati’s adaptation, makes a great effort, encapsulating many of the moods of desperation and defiance of adversity, but whether it totally gets there is open to question.
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