CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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Germaine Acogny: The mother of African dance at 80
LLIANE LOOTS speaks to Germaine Acogny and picks out two of her finest works
WE CARRY OUR HISTORIES IN OUR BODIES: Germaine Acogny in 2020; Germaine Acogny and Malou Airaudo perform Common Grounds, EIF 2023
[Présidence de la République du Bénin/Flickr; Maarten Vanden Abeele]
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
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ROGER McKENZIE draws attention to the much-neglected oral traditions of the global South that define the identity – and therefore the liberation – of its custodians
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
TONY BURKE recommends a new podcast about the legenary Nigerian musician and political activist FELA KUTI
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change