JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual
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Germaine Acogny: The mother of African dance at 80
LLIANE LOOTS speaks to Germaine Acogny and picks out two of her finest works
WE CARRY OUR HISTORIES IN OUR BODIES: Germaine Acogny in 2020; Germaine Acogny and Malou Airaudo perform Common Grounds, EIF 2023
[Présidence de la République du Bénin/Flickr; Maarten Vanden Abeele] 
TONY BURKE reviews new releases from Cheikh Lo, Mishra & Deepa Shakthi, N’Faly Kouyate
Gin Lane by William Hogarth is a critique of 18th-century London’s growing funeral trade, posits DAN O’BRIEN
ANDY HEDGECOCK sees his scepticism lessened by a story is more complex and far-reaching than is initially apparent
MARK TURNER holds on tight for a mesmerising display of Neath-born ragtime virtuosity
ALAN MORRISON introduces a UK poet whose despised daytime occupation provides the subject for his writing
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This is a remarkable set of hop hip, salsa, reggae, soul, cumbia and traditional Mexican music finds TONY BURKE
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LEIGH CARRIAGE remembers Roberta Flack, a spellbinding virtuoso of musical interpretation
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