ANDY HEDGECOCK and MARIA DUARTE review Late Fame, The Death of Robin Hood, Leviticus, and Gail Daughtry and the Celebrity Sex Pass
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Germaine Acogny: The mother of African dance at 80
LLIANE LOOTS speaks to Germaine Acogny and picks out two of her finest works
WE CARRY OUR HISTORIES IN OUR BODIES: Germaine Acogny in 2020; Germaine Acogny and Malou Airaudo perform Common Grounds, EIF 2023
[Présidence de la République du Bénin/Flickr; Maarten Vanden Abeele]
GORDON PARSONS enjoys Kant’s ‘mind-boggling’ theory of human reality: that we create the reality we experience
DAVID RABY welcomes a biography that emphasises how Fidel’s unique characteristics became hallmarks of the ongoing Cuban revolutionary process
IAN SINCLAIR recommends a readable, if partisan, account of the astonishing campaign of New York's new mayor
MATTHEW HAWKINS witnesses a contemporary ballet that represents human life as subjected to artificial intelligence
by Marwa Paikan
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