LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
Film round-up: October 13, 2022
Maria Duarte reviews of Emily, Rosaline, All Is Vanity, and Halloween Ends
Emma Mackay as Emily Bronte in Frances O'Connor's Emily
KATHRYN JOHNSON recommends the work of Norman Kaplan that was a tool in the struggle against apartheid in South Africa
GAVIN O’TOOLE welcomes a bold feminist subversion of classic folktales that are ubiquitous in the Irish imagination
A novel by Mexican Juan Pablo Villalobos, poetry by Mexican Ingrid Bringas, and a biography by Argentinian Mercedes Halfon
PAUL DONOVAN applauds an entertaining dramatisation of the famous dispute that gives insight into the struggle, and Murdoch’s unscrupulous mendacity
ELLIS RAE is disappointed by the revival of a nihilistic play that fails to offer alternatives for social change
Emily (15)
Directed by Frances O'Connor
★★★
ACTOR turned director Frances O’Connor's debut feature is a haunting and visually arresting reimagining of the life of Emily Bronte, whose one and only novel Wuthering Heights is considered a literary classic.
Emma Mackay (Death on the Nile and Sex Education) is absolutely mesmerising as Emily who is full of contradictions — shy yet rebellious; quietly opinionated yet demure — who expressed her passions and yearnings through her poems and writings.
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LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
LEO BOIX, ANDY HEDGECOCK and MARIA DUARTE review Dreamers, It Was Just An Accident, Folktales, and Eternity
MARIA DUARTE and ANGUS REID review Friendship, Four Letters of Love, Tin Soldier and The Ballad of Suzanne Cesaire
The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes