Skip to main content
Film round-up: March 21, 2024
The Star's critic MARIA DUARTE reviews The Persian Version, Robot Dreams, The Delinquents and Ghostbusters: Frozen Empire
Layla Mohammed in The Persian Version; the eponymous robot in Robot Dreams; Esteban Bigliardi in The Delinquents

The Persian Version (15)
Directed by Maryam Keshavarz

★★★★

 


 
DESCRIBING itself as “a true story... sort of,” the film opens with its female protagonist proudly walking across New York dressed as Miss Burka Tini in a clash-of-cultures statement which is explored throughout this smart, funny and surprisingly soulful autobiographical comedy drama. 
 
Based on writer-director Maryam Keshavarz’s own life it follows Iranian-American Leila (a magnetic Layla Mohammadi) who has difficulties reconciling her opposing cultures. As she states: in America she is considered to be too Iranian while in Iran she is too American. 
 
Meanwhile she is the only girl (and a divorced lesbian) among eight brothers, a fact that her domineering mother Shireen (Niousha Noor), a self-made businesswoman, won’t forgive, resulting in their inevitable estrangement.
 
Centring on three generations of Iranian women, the film moves from the 1960s to the 1980s to the 2000s as it explores identity and home along with the prickly dynamic between mothers and daughters. What is revealed is that they have more in common than they realise.
 
At the start Leila breaks the fourth wall constantly, making biting asides to the audience, but this is dropped when the tone turns more serious as she learns the real reason her parents moved to the US. This makes her begin to appreciate her mum. 
 
With its vibrant colour palette, comic relief and fun dance numbers this is a joyful film about immigrant families, resilience and a woman who refuses to apologise for who she is. 

Out in cinemas on Friday
 

Robot Dreams (PG) 
Directed by Pablo Berger 
★★★★

 

The Delinquents (12A)
Directed by Rodrigo Moreno

★★★


Ghostbusters: Frozen Empire (12A)
Directed by Gil Kenan

★★★

Donate to the Fighting Fund
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
CONFRONTING HOMOPHOBIA: (L) FCB Cadell, The Boxer, c.1924; (
Exhibition review / 21 March 2025
21 March 2025
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
BLOOD ON THE TRACKS: Xilun Sun as the mysterious interloper
Film of the Week: / 20 March 2025
20 March 2025
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
Short Story / 7 February 2025
7 February 2025
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
Frantz Fanon at a press conference during a writers' confere
BenchMarx / 28 January 2025
28 January 2025
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
Similar stories
COMPELLING: Radhika Apte in Sister Midnight
Cinema / 13 March 2025
13 March 2025
The Star's critic MARIA DUARTE reviews Last Breath, Sister Midnight, Opus, and The Electric State 
(L) Timestalker; (R) Salem's Lot
Cinema / 10 October 2024
10 October 2024
Cursed reincarnation, Zombies yet again, Israeli war crimes, Transformer origins and Spanish animation; MARIA DUARTE reviews Timestalker, Investigating War Crimes in Gaza, Salem’s Lot, Transformers One and Buffalo Kids
IMPERIAL DECADENCE: Caligula
Cinema / 8 August 2024
8 August 2024
Domestic abuse, orgies revisited, baby trouble, and Hollywood claptrap: MARIA DUARTE reviews It Ends With Us, Caligula: The Ultimate Cut, Babes, and Borderlands
Our Mothers, directed by Cesar Diaz. Guatemala/Belgium/Franc
Cinema / 9 May 2024
9 May 2024
The Star's critic MARIA DUARTE reviews Made in England: The Films of Powell and Pressburger; Our Mothers; Kingdom of the Planet of the Apes; and The Almond and the Seahorse