JAMIE BRITTON recommends this fine analysis of the architectural, ecological and infrastructural destruction of the Gaza Strip
The electronic music fest returns with abundant and gripping surprises
DAZZLING: Caterina Barbieri and friends
[Neil Gardner]
NADIA JOSEPH welcomes a survey of the role that TV played in the debate over apartheid and race relations in Britain
New releases from Rosa Walton, Paul McCartney, and Aidan Thorne & Jason Ball
RON JACOBS welcomes a sharp, intelligent and witty exposé of the corruption and right-wing politics that have taken over international professional football
ALEX HALL welcomes the memoir of a prominent British academic of Ugandan/Zimbabwean heritage
JONATHAN TAYLOR reviews a collection of short stories wherein news - and the absence of news - changes lives
Re-Textured
Southbank’s Queen Elizabeth Hall and Printworks, London
LONDON’S electronic music festival set in brutalist buildings around the capital got off to a grand start on its launch in 2019.
Finally returning after a two-year pandemic-influenced delay, the festival has been pared back somewhat to just three events, but its vision to showcase some of the most unique experimental electronic artists out there is still very much intact.
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WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
WILL STONE in entertained, and some, by the Irishman Shobsy and the Dutch/Kiwi combo My Baby
WILL STONE relishes the chance to hear the Isle of Wight indie sensation in an intimate setting
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF