MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
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The electronic music fest returns with abundant and gripping surprises
DAZZLING: Caterina Barbieri and friends
[Neil Gardner]
MATTHEW HAWKINS rakes through un-fancy words and flair-free summaries to find who and what might be flamboyant
PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
Reducing historical lives to ‘male’ and ‘female’ roles, we lose the nuance of those lives and a clearer understanding of past societies, suggests CLAIRE ISABELLA GILMOUR
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
Re-Textured
Southbank’s Queen Elizabeth Hall and Printworks, London
LONDON’S electronic music festival set in brutalist buildings around the capital got off to a grand start on its launch in 2019.
Finally returning after a two-year pandemic-influenced delay, the festival has been pared back somewhat to just three events, but its vision to showcase some of the most unique experimental electronic artists out there is still very much intact.
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PETER MASON is exhilarated by an exciting, well-considered and historically minded tribute to the great Trinidadian instrument
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
NEIL GARDNER listens to a refreshingly varied setlist that charts Cabaret Voltaire's voyage from avant-garde experimentalists to techno pioneers
WILL STONE in entertained, and some, by the Irishman Shobsy and the Dutch/Kiwi combo My Baby