Latest editorial
A recent Financial Times column on the Iran war exemplifies how the Western elite worldview is more concerned with strategy and power than legality or human life, writes ANDREW MURRAY
Ebullient songs of boppish swing
Chris Searle on Jazz: Eddie Jefferson
STEVE BISHOP considers the prospects for a settlement of the conflict and how the demands of both sides are being viewed
The PM is drawing cautious distance from Donald Trump over Iran – but history suggests Britain’s support may run deeper than it appears, just as it did during the Vietnam war, says KEITH FLETT
Years of austerity and political failure have left classrooms overcrowded and staff overstretched – now educators are organising across roles to demand change, says ED HARLOW
While US restrictions tighten economic and social pressures on Cuba, international allies and grassroots campaigns are stepping in to support the island’s resilience, writes BERNARD REGAN, secretary of Cuba Solidarity Campaign
Labour’s approach to Scotland reveals a long-running tension between rhetoric and reality, warns PAULINE BRYAN
Eddie Jefferson
The Jazz Singer (Inner City 1016)
The Main Man (Inner City 1033)
Eddie Jefferson, born in Pittsburgh in 1918, was a true jazz original. He began working as a tap dancer in the ’30s, but by the late ’40s he had developed a singing approach called “vocalese,” in which he took the recorded solos of jazz horn players, wrote lyrics to them and sang them as tributes to their creators.
One of the first of these was James Moody’s tenor saxophone solo in a recording of I’m in the Mood for Love. Jefferson recreated it as Moody’s Mood for Love, which became a big hit when recorded by the rhythm and blues man King Pleasure in 1952.
Similar stories
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
As part of the 2025 London Jazz Festival Rich Mix offered intriguing sessions titled 'Persian Jazz,' CHRIS SEARLE was there
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG
Chris Searle speaks to saxophonist XHOSA COLE and US tap-dancer LIBERTY STYLES