SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star

“CORBYNISM” — the protean political phenomenon that has become the vessel into which so many hopes and fears have been poured — most likely faces its greatest test in the near future: a general election which could propel the man it is named after into 10 Downing Street with a mandate for sweeping social change.
So it is a propitious moment to take stock. It is just four years since Jeremy Corbyn won the leadership of the Labour Party to the astonishment of almost everyone. Scarcely less remarkable is that he is still leader four years on, despite intransigent and unabated opposition from the Establishment and its powerful supporters within Labour itself.
That Corbynism has endured and, indeed, taken Labour to 40 per cent of the poll in its only general election test to date is surely due to a confluence of factors — the post-2008 crisis of neoliberalism which, inter alia, swept away the political and economic assumptions of New Labour; the development of left-led mass movements against war and austerity which sought a more comprehensive political expression and the deep-rooted and long-frustrated desire of millions of people for that alternative which Thatcher and Blair insisted didn’t exist.

Just as German Social Democrats joined the Nazis in singing Deutschland Uber Alles, ANDREW MURRAY observes how Starmer tries to out-Farage Farage with anti-migrant policies — but evidence shows Reform voters come from Tories, not Labour, making this ploy morally bankrupt and politically pointless