NICK MATTHEWS welcomes the return of Samuel Coleridge-Taylor’s music to the repertoire of this years’ Three Choirs Festival
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SIMON DUFF is transported by the sweetly seductive tones of experimental guitarist Pat Metheny
Pat Metheny plays the Barbican
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LEO BOIX reviews a caustic novel of resistance and womanhood by Buenos Aires-born Lucia Lijtmaer, and an electrifying poetry collection by Chilean Vicente Huidobro
MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
Pat Metheny
EFG London Jazz Festival, Barbican
PAT METHENY’s illustrious career and pioneering sonic vision has given him a unique perspective on how to push boundaries and innovate.
From his work playing in traditional formats — solo, in duets, trios, quartets and various large ensembles including the Pat Metheny Group — to writing and producing an array of milestone albums, singles and soundtrack work, his urge to investigate what might be possible has been at the forefront of his thinking.
His latest album MoonDial is a solo recording using a baritone nylon string acoustic guitar specially made by Linda Manzer, one of the world finest luthiers.
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Concert of the Year? No doubt, Pat Metheny at the Barbican in late November...