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FIONA O’CONNOR assesses a dense and overpopulated novel that isn’t satire and doesn’t go deep

Caledonian Road
Andrew O’Hagan
Faber, £20


 
FREDERIC JAMESON used the term “national allegory” for the view that literature is really an attempt to discover a country’s identity, and therefore its inhabitants.

In Caledonian Road, big thumper of a novel at over 600 pages, Scottish writer Andrew O’Hagan offers a post-Brexit, liberalist mea culpa of sorts, repositioning Britain in its isolated decline.

O’Hagan’s focus is a London “levitating on a sea of dirty money,” as Sergei Magnitsky put it. Emerging from the pandemic in 2020, the masks are coming off and there’s profit to be extracted. 

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