ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Cartoonist
by Dave Medd
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
Draw me a laughing Word I can chuckle at.
Draw me a joke with halo and wings
I can cackle at. In your great witness,
draw me a holy guffaw from your boots
or the bile of my belly.
Draw me the rape of reverence. Draw me
a man with a beard, a cross and an ark
full of rainbows. Draw me pillars of good
intentions, columns of justice. Draw me
his engines of comic dominion.
Draw me a child whose head your pen
can explode like a diagram.
Draw me a Laugh
I can strap to my wheels like a butterfly.
Draw me a heretic smile whose punchline
squibs flame like Roman Candles.
More from this author
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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