RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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Campaigning and performing
LYNNE WALSH deplores how laudable commitments to battling discrimination have displaced the fight against women's sex-based oppression
fem theatre
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
Feminist Theatre Then & Now
Edited by Cheryl Robson
Aurora Metro, £16.99
MEMORIES of the heady days of women’s theatre in the ’70s and ’80s recall the provocative and edgy nature of the genre.
The clues are in the names of some of the troupes: Sensible Footwear, Cunning Stunts, Scarlet Harlots, Monstrous Regiment, Beryl and the Perils, Theatre of Black Women, Clean Break, Sadista Sisters, Lip Service, and The Chuffinelles. The latter included the late and truly great Linda Smith.
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