Latest editorial
Rebecca Hyde in The Last One by Zoe Alker, 2024
[Steve Gregson]
MAYER WAKEFIELD recommends a timely and brilliantly performed antidote to racism in times of Jenrick-inflected jingoism
The bard weighs in to the BBC debate with the nine pints of Stella theory
MICHAL BONCZA, ANGUS REID and MARIA DUARTE review Alpha, Park Avenue, The Running Man, and Left Handed Girl
ALEX HALL recommends a considered and clear approach to dismantling apartheid and occupation, were Israel to come to its senses
Chris Searle speaks to saxophonist and composer SOWETO KINCH
The Arctic in Guillermo del Toro’s Frankenstein reveals more about imperialism than about monsters, suggests MONICA GERMANA
Feminist Theatre Then & Now
Edited by Cheryl Robson
Aurora Metro, £16.99
MEMORIES of the heady days of women’s theatre in the ’70s and ’80s recall the provocative and edgy nature of the genre.
The clues are in the names of some of the troupes: Sensible Footwear, Cunning Stunts, Scarlet Harlots, Monstrous Regiment, Beryl and the Perils, Theatre of Black Women, Clean Break, Sadista Sisters, Lip Service, and The Chuffinelles. The latter included the late and truly great Linda Smith.
LYNNE WALSH reports from the Women’s Declaration International conference on feminist struggles from Britain to the Far East
