PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
A WEEK before the lockdown was introduced, I went for a drink in my local, the Duke Of-Wellington in Shoreham. It has wonderful beer from small independent breweries, friendly, welcoming staff, live music four times a week, which I help organise, and a diverse and equally friendly bunch of regulars, many of whom are my friends.
I am a very gregarious person — it’d be difficult to do my job if I wasn’t — and I feel very much at home there. That day, I didn’t.
It was packed. I am not easily scared but in that environment, so familiar and beloved to me, I suddenly felt frightened. An icy feeling came over me. I had one pint, said goodbye to Drake the landlord and went home. As I cycled back my lungs literally breathed a sigh of relief.
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
Warming up for his Durham gig, the bard pays attention to the niceties of language
The bard heralds the festive summer



