ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
The times of a heady mix of weed and politics
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
Yippie Girl: Exploits in Protest and Defeating the FBI
by Judy Gumbo
Three Rooms Press £11.99
IN THE male-dominated world of Abbie Hoffman, Jerry Rubin, Stew Albert, Bill Ayers, Bobby Seale, Eldridge Cleaver and the Berrigan brothers, women like Judy Gumbo, Kathleen Cleaver, Angela Davis and Bernardine Dohrn were personalities whose commitment was worthy of imitation.
The inspiration they provided went with me — as a high school pupil for US military dependents in Frankfurt am Main, Germany — to the anti-war protests I attended organised by German leftists and pacifists to coincide with the 1971 May Day actions against the war in Washington, DC and elsewhere around the US.
Gumbo’s is a joy to read. It is also an important and significant addition to the history of what is now known as the sixties. Part memoir and part confessional, it is mostly a history of the period told by one of its primary participants and instigators.
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