DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
‘The privilege to partake in the simple act of being together’
Chris Searle speaks with saxophonist ABRAHAM BURTON
Abraham Burton
[Joe Mabel/CC] 
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
WE remember how monstrously Covid hit New York City. Its lockdown months of agony and isolation were finally broken in mid-2021, when at last its musicians could play again in open-air performances.
One significant venue was Summit Rock in Central Park, formerly the highest point of Seneca Village, a settlement founded in 1825 by free black Americans, which in 1857 was destroyed to create the park.
On June 20 2021, the New York trio of saxophonist Abraham Burton, drummer Eric McPherson and bassist Dezron Douglas performed live and free at Summit Rock to passing New Yorkers now released from lockdown.
More from this author
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
