MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
‘The privilege to partake in the simple act of being together’
Chris Searle speaks with saxophonist ABRAHAM BURTON
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New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
WE remember how monstrously Covid hit New York City. Its lockdown months of agony and isolation were finally broken in mid-2021, when at last its musicians could play again in open-air performances.
One significant venue was Summit Rock in Central Park, formerly the highest point of Seneca Village, a settlement founded in 1825 by free black Americans, which in 1857 was destroyed to create the park.
On June 20 2021, the New York trio of saxophonist Abraham Burton, drummer Eric McPherson and bassist Dezron Douglas performed live and free at Summit Rock to passing New Yorkers now released from lockdown.
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