JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
Take the biscuit
JAMES WALSH savours the genius of Britain’s greatest living songwriter

Half Man Half Biscuit
Electric Ballroom, London
20/1/2023
IN CAMDEN TOWN on a cold January night, a man down the front is crying and bellowing along to the closing track of a band’s sixteenth studio album: Oblong of Dreams, a paean to place and belonging worthy of Wordsworth.
Up on stage, Nigel Blackwell, Britain’s greatest living songwriter, is an unassuming type, his genius known only to a lucky few. Half Man Half Biscuit’s wonderful, warm and endearingly obsessive fan base are all here, packed like expectant sardines after drinking weak lager in a Camden boozer.
While many of their era have long since sunk into a morass of nostalgia tours, new tunes met with a rush to the bar, Nigel and the boys are more vital than ever.
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