MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
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A surprisingly satisfying read
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Full of mysterious religious references and radical sound design, the Scottish duo’s new offering is candidate for album of the year, suggests SIMON DUFF
MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
Barnhill
by Norman Bissell
Luath Press, £12.99
THIS partly factual and partly reimagined account of George Orwell’s final years is a surprisingly satisfying read for those of us who are the inheritors of his slurs against so-called “Stalinists.”
There are imagined conversations between Orwell and various intimates, self-justifying accounts from his second wife Sonia Brownell and excerpts from some of his letters and novels.
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JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
ANDY HEDGECOCK relishes an exuberant blend of emotion and analysis that captures the politics and contrarian nature of the French composer