STEPHANIE DENNISON and ALFREDO LUIZ DE OLIVEIRA SUPPIA explain the political context of The Secret Agent, a gripping thriller that reminds us why academic freedom needs protecting
Monster
Park Theatre
ABIGAIL HOOD’S well-constructed naturalistic drama opens with two teenage Glaswegian girls hanging out, flirting and fantasising after school on a patch of wasteland, symbolic of their lives.
The Monster, played by Hood, is Kayleigh — a bright, bitter and damaged youngster whose home life with an abusive mother on the game is a living nightmare.
When her girlfriend finally deserts her for a boy, her instinctive response is an appalling act of violence towards the only adult who has paid her any attention.
SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity
GORDON PARSONS meditates on the appetite of contemporary audiences for the obscene cruelty of Shakespeare’s Roman nightmare
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic


