The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Sex, lies and samovars
SIMON PARSONS applauds an ambitious and relevant dramatisation of the the great Russian classic
theatre review
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Anna Karenina
Britol Old Vic
TOLSTOY’S epic novel of a doomed, scandalous affair in imperial Russia is considered one of the great works of literature. At almost a thousand pages in length with multiple subplots, it is told through both an objective omniscient narrator and subjective interior monologues detailing troubled relationships across rural and cosmopolitan settings.
It is a mammoth challenge for any stage adaptation.
Lesley Hart’s version makes no bones about this two-hour, eight-person stage production being a Scottish-infused love story for a contemporary audience. From the opening salvo of invective from Dolly, not Princess Darya Alexandrovna Oblonsky as she is formally titled in the novel, we know we are in for a stripped down, dynamic modern reworking of the story.
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