WILL STONE fact-checks the colourful life of Ozzy Osbourne
Seville Film Festival
Radical European cinema takes centre stage
Perplexed: Elia Suleiman in It Must Be Heaven
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
THE SEVILLE Film Festival showcased more than 200 films during its run last week, among them Spanish icon Pedro Almodovar’s Pain and Glory and Palestinian Elia Suleiman’s It Must Be Heaven.
Almodovar’s quasi-autobiographical drama focuses on a former film director who, back in the day, confronted Spain’s repressive attitudes, while Elia Suleiman's It Must Be Heaven is a perplexed and comic look at his surroundings as he embarks on a globetrotting tour which takes in some absurd scenarios.
In a film he’s written and in which he is protagonist, Suleiman comes across as somewhere between Buster Keaton and Jaques Tati as he explores the Palestinian experience.
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