EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Ridiculing courtship and the traditional battle of the sexes
SIMON PARSONS recommends an ingenious and wonderfully memorable upgrade of a classic
(L to R) Caroline Quentin as Mrs Malaprop, Peter Forbes as Anthony Absolute, Laurie Davidson as Jack Absolute and Natalie Simpson as Lydia Languish
[Brinkhoff-Moegenburg]
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
Jack Absolute Flies Again
National Theatre
RICHARD BEAN and Oliver Chris’s brilliant reworking of Sheridan’s Rivals cleverly moves the location from 18th-century Bath to a 1940s country estate billeted by an RAF squadron.
Similar stories
MICHAL BONCZA, FIONA O’CONNOR, JAMES WALSH and ANGUS REID review Atlas of Disappearance, Love Me Tender, Bouchra, and This Tempting Madness
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth