MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
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Red Hands by Colin Sargent
Love, loss and rueful laughter in Ceauscescu-era Romania
Iordana Ceauscescu
[Barbican Press]
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Full of mysterious religious references and radical sound design, the Scottish duo’s new offering is candidate for album of the year, suggests SIMON DUFF
MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
HAZ de necaz. The term – Romanian for rueful laughter – fittingly appears a number of times in this novel. It pretty much describes Red Hands’ tone – tragedy hardened further by comedy.
After his extraordinary second novel The Boston Castrato, Colin Sargent shifts his intelligent and sharp focus from the US of the 1920s to the Romania of the 1960s onwards.
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