WILL STONE samples the 20th anniversary atmosphere of this eclectic end-of-season indie festival
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Peggy Seeger: First Farewell
Valedictory gems from a folk music great
CELEBRATORY: Peggy Seeger and Paul Robeson performing in Trafalgar Square in 1960
Comics are not just superheroes and spandex – it can be public art, telling public stories, suggests HARRIET EARLE
The bard serenades the Diggers of Wigan and their festive followers
ALEXEI SAYLE speaks to Angus Reid about a lifetime of protest, how to hone political art – and what to do now
ANDY HEDGECOCK, JAMES WALSH, LEO BOIX and MARIA DUARTE review Just An Illusion, Everybody Digs Bill Evans, Blue Film, Oasis: Don’t Look Back in Anger, and Runner
MARIA DUARTE recommends a nerve-wracking reconstruction of the 72 hours before the Normandy landings
AT THE age of 85 and with a lifetime of singing and campaigning for progressive causes, Peggy Seeger has just released her latest album and it has been described as “probably” her final one.
Yet the songs and the themes explored in First Farewell demonstrate that she is as committed as ever to using music to express both life and hope in these particularly challenging times.
Composed of entirely new songs and with support from sons Calum and Neill MacColl and daughter-in-law Kate St John, the album reflects on growing older as well as developing further concerns such as peace, the environment and feminism that Seeger has had throughout her career.
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