TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
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A painter whose art expressed his social vision
NICK MATTHEWS recommends an exhibition by an artist who was as true to his art as he was to his radical politics
(L to R) Spring: Plum Trees in Bloom, 1877 and Self-Portrait, 1903
The bard rests on his laurels, and swipes left and right
MARIA DUARTE cherishes the flashes of absurd humour and theme of community healing in a documentary set in a Soviet-era Black Sea sanatorium
ANGUS REID and MARIA DUARTE review The Courageous, The Cut, Christy, and On Swift Horses
TOM STONE sings the praises of one of the oldest open-air festivals in Britain
Chris Searle speaks to accordionist KAREN STREET
Pissarro: Father Of Impressionism
Ashmolean Museum Oxford
ACCORDING to the marketing bumf for the current exhibition at the Ashmolean Museum in Oxford, Camille Pissarro is the Father of Impressionism.
I first discovered his art when I was working in London. I loved the Impressionists and so made a trip to the Courtauld Institute where I came across his painting of Lordship Lane Station, Dulwich (1871). This made a big impression (ha!) as at the time I was renting a room in the same Lordship Lane, Dulwich.
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