CHRIS SEARLE welcomes a new book that makes working class history come alive in a true story of human flesh and aspiration

Pissarro: Father Of Impressionism
Ashmolean Museum Oxford
ACCORDING to the marketing bumf for the current exhibition at the Ashmolean Museum in Oxford, Camille Pissarro is the Father of Impressionism.
I first discovered his art when I was working in London. I loved the Impressionists and so made a trip to the Courtauld Institute where I came across his painting of Lordship Lane Station, Dulwich (1871). This made a big impression (ha!) as at the time I was renting a room in the same Lordship Lane, Dulwich.

Our annual memorial event and lecture honouring a legend of English working-class history, who ‘organised the unorganisable’ in the countryside, will hear from today’s organisers of the unorganisable fighting the bosses of Amazon, writes NICK MATTHEWS

NICK MATTHEWS welcomes the return of Samuel Coleridge-Taylor’s music to the repertoire of this years’ Three Choirs Festival

From sexual innuendo about Blackpool Rock to Bob Dylan’s ‘God-almighty world,’ the corporation’s classist moral custodianship of pop music has created a roll call of censored artists anyone would feel honoured to join, writes NICK MATTHEWS

NICK MATTHEWS previews a landmark book launch taking place in Leicester next weekend