JOHN McINALLY welcomes a rigorous class analysis of the history and exploitation of sectarianism by the Scottish ruling elite
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No longer satisfied with playing second fiddle
John Green talks to EMILY INGRAM whose moving documentary charts the remarkable resilience of Doncaster women at the time of the miners’ strike of 1984
WORKING CLASS HEROINES: Few outside of the UK’s former mining towns and villages remember Women Against Pit Closures (WAPC), a radical women’s movement that ensured miners and their families were fed and clothed during the strike of 1984 - 1985
[Heritage Doncaster’s YouTube channel]
WILL STONE, JAMES WALSH and MARIA DUARTE review Souleymane’s Story, Sunlight, Good Fortune, and After The Hunt
ALEX HALL recommends an exhaustive investigation of the means by which the Starmer faction assassinated the left
DAVID MORGAN recommends a refreshingly inspiring novel that features encounters with some tremendous women
BOB NEWLAND recommends a political thriller from former anti-apartheid activist Peter Hain
JAMES WALSH speaks to Chris Thorpe-Tracey - among many things, a one-time Morning Star columnist — about songs, cities, politics and prophecy
THE national miners’ strike of 1984/85 was probably, apart from the 1924 General Strike, the most traumatic and iconic working-class struggle of the 20th century.
Although a number of films have been made about that strike, the role women played in it has not been given the coverage it deserves.
Women in the past have always been there supporting men in their struggles, for the first time during this strike they set up their own parallel organisation, Women Against Pit Closures (WAPC) and what became known as “the fight for jobs.”
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STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
HEATHER WOOD pays tribute to a champion of working-class women and a fierce voice of solidarity
Women have been celebrating the 40th anniversary of the miners’ strike against pit closures, and there’s more to come writes HEATHER WOOD