Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
‘We really do live in a global village’
JOHN McLAUGHLIN talks to Chris Searle about the sense of internationalism that's guided his life and music
John McLaughlin
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
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JOHN MCLAUGHLIN is one of the great pioneering jazz guitarists whose work defies any neat genre categorisation.
Born near Doncaster in 1942, he took up the guitar aged 11 and went on to play the blues with Alexis Korner, Graham Bond and Ginger Baker before moving to London and making his first classic album Extrapolations in 1969 with drummer Tony Oxley, saxophonist John Surman and bassist Brian Odges.
More from this author
CHRIS SEARLE speaks to drummer Steve Noble
CHRIS SEARLE interviews saxophonist Chris Williams about the extraordinary electro-acoustic album LEDLEY - a bold fusion of Jazz, football, and community spirit
CHRIS SEARLE speaks to Rwanda-born jazz vocalist INEZA
CHRIS SEARLE speaks to Ghanaian trumpeter PETER SOMUAH
