MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
Mozart and Mambo
NICK MATTHEWS recommends a vivacious blend of classical and traditional Cuban music that brings swing to Mozart
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
MATTHEW HAWKINS welcomes an engaging and nourishing account of the queer subculture that flourished in London between WWII and partial decriminalisation
RON JACOBS welcomes the political lessons for today, about organisation and withdrawal from conflict, made by an erudite and conversational biography
To mark Mozart’s 250th birthday in 2007 a marble bust was unveiled in San Francisco de Asis Square in Old Havana. It was the work of Austrian sculptor Anton Thuswaldner, and a gift from the state government of Salzburg, Austria.
This prompted the formation of the Havana Lyceum Orchestra, founded by Pepe Mendez and fellow students from the Instituto Superior de Arte and the Escuelas Nacionales de Arte. The Mozarteum Salzburg together with Eusebio Leal, a Cuban historian, at the same time founded the Lyceum Mozartiano de La Habana, a cultural centre for classical music.
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