ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
Mozart and Mambo
NICK MATTHEWS recommends a vivacious blend of classical and traditional Cuban music that brings swing to Mozart
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
To mark Mozart’s 250th birthday in 2007 a marble bust was unveiled in San Francisco de Asis Square in Old Havana. It was the work of Austrian sculptor Anton Thuswaldner, and a gift from the state government of Salzburg, Austria.
This prompted the formation of the Havana Lyceum Orchestra, founded by Pepe Mendez and fellow students from the Instituto Superior de Arte and the Escuelas Nacionales de Arte. The Mozarteum Salzburg together with Eusebio Leal, a Cuban historian, at the same time founded the Lyceum Mozartiano de La Habana, a cultural centre for classical music.
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