Skip to main content
Donate to the 95 years appeal
A memorably stimulating production despite information overload
CONUNDRUM: Pierro Niel-Mee as Victor

Once Upon a Time in Nazi-occupied Tunisia
Almeida Theatre, London

 

THE key question set by this intriguing new Josh Azouz play is just how close to the surface our prejudices lie – and how much it takes to bring them to the fore.

Azouz tries to supply some answers through the experiences of two young Tunisian couples, one Jewish (Loys and Victor) and one Arab (Faiza and Yussef), whose previously harmonious relationships are deeply unsettled by the invading Germans in 1942.

As rifts open up and the malign presence of the Nazis drives a wedge within and between them, Loys (Yasmin Paige) declares to Victor (Pierro Niel-Mee) that “the occupation has made us not ourselves,” while Victor, in gloomier frame of mind, asks: “What if it has revealed who we are?”

Picking away nastily at this conundrum is the provocative local Nazi commander (Adrian Edmondson), who tortures Victor in custody before taking an unhealthy interest in Loys. The dramatic moments that ensue leave us in little doubt that Azouz feels community solidarity is often only skin-deep, and that when push comes to shove, self-preservation and pre-ordained allegiances win through.

On a stage set of bare, irregular wooden boxes that ingeniously suggest the desert landscape in which events take place – especially during the striking Beckett-like opening scenes – the six-strong cast makes a strong impression, with Yasmin Paige outstanding as Loys and Adrian Edmondson expertly injecting some black humour as the sinisterly jovial Nazi officer.

At times, however, there’s so much going on and so much being said that it’s difficult to process all the information. This is especially true in the later stages of the play, when new developments are piled upon new developments, and Victor’s sudden conversion to zionism adds another layer of entanglement to the relationships.

That aside, Azouz has come up with an interesting creation. While its underlying message may be dispiriting, its overall effect is memorably stimulating.

Peter Mason

Runs until September 18: https://almeida.co.uk

 

Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
flam
Dance / 30 May 2025
30 May 2025

PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco

IT'S JUST NOT CRICKET: Protesters demonstrate outside Lord's Cricket Ground in London, on February 25 2025, against England playing Afghanistan in a Champions Trophy match, as female participation in sport has effectively been outlawed in Afghanistan since the Tailban returned to power in 2021
Books / 25 May 2025
25 May 2025

PETER MASON is surprised by the bleak outlook foreseen for cricket’s future by the cricketers’ bible

(L) Mudlark kneels on a rocky shore, collecting objects; (R) Medieval pilgrim badge. Pics © London Museum
Exhibitions / 22 April 2025
22 April 2025

PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river

POWER-DRESSING: Miriam Grace Edwards as Mary in Mrs Presiden
Theatre Review / 5 February 2025
5 February 2025
PETER MASON applauds a thought-provoking study of the relationship between a grieving woman and her photographer
Similar stories
CO-DEPENDENCY: Rex Ryan and Lauren Farrell in Men's Business
Theatre Review / 27 March 2025
27 March 2025
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
POWER-DRESSING: Miriam Grace Edwards as Mary in Mrs Presiden
Theatre Review / 5 February 2025
5 February 2025
PETER MASON applauds a thought-provoking study of the relationship between a grieving woman and her photographer
GAME CHANGER: Billy Howle (Jimmy) and Ellora Torchia (Alison
Theatre review / 4 October 2024
4 October 2024
MARY CONWAY relishes the revival of two classics for the naked expression of truthful thoughts and class anger
CAMPUS ACTIVISM: Phoebe Campbell in Alma Mater
Theatre review / 18 July 2024
18 July 2024
MARY CONWAY evaluates a polemical play whose actors, rather than the writer, introduce the humanity and the light and shade