IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
Latest editorial
The long shadow of a masterpiece
JENNY FARRELL celebrates the continuing relevance of the first English-speaking playwright of proletarian origin to create world theatre
opinion
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
SEAN O’CASEY’s play The Shadow of a Gunman premiered 100 years ago, on April 12 1923, at Dublin’s national Irish theatre, the Abbey Theatre.
The theatre, which grew out of the Irish Renaissance movement for the renewal of Irish literature in 1904, encouraged new Irish writers and provided a platform for the exploration of progressive ideas on stage.
The Shadow of a Gunman is the first of O’Casey’s three Dublin plays, which examine the maturity and fortunes of the people at three important moments in Irish history — the Easter Rising (1916), the war of independence (1918-21), and the civil war (1922-23) — all of which O’Casey experienced.
More from this author
As Caspar David Friedrich’s 250th anniversary is celebrated in Berlin and New York, JENNY FARRELL urges viewers of the German Romantic painter to understand its true historical context, and beware its co-option by the far-right
As Caspar David Friedrich’s 250th anniversary is celebrated in Berlin and New York, JENNY FARRELL urges viewers of the German Romantic painter to understand its true historical context, and beware his co-option by the far right
JENNY FARRELL traces the critical role that the CPUSA played in the education of Harlem’s greatest man of letters
JENNY FARRELL introduces an extraordinary book that maintains the cultural practise of the GDR by writing about ordinary working lives
