Skip to main content
O’Casey and revolution
On the 60th anniversary of the playwright’s death JENNY FARRELL draws attention to the potential for revolution portrayed in his little known late work
LIBERATED ENERGY: (R) Beltane Fire Festival, Calton Hill, Edinburgh, Scotland, 2012; (L) Portrait of Sean O’Casey by Augustus John, 1926

SEAN O’CASEY was the first English-speaking dramatist of international significance to emerge from the proletariat. One of the recurring themes in his work is that of revolution. While in his early Dublin plays he controversially considered the Irish working class not yet ready for revolutionary change, his later works explore the potential for revolution.

O’Casey’s second last play, Figuro in the Night (1961), is about revolution and liberation. The play is set in a new suburb of Dublin, flanked by two monuments — one commemorating the fallen Irish who served in the British army during World War I, the other honouring those who died for Irish liberation. Both monuments document death.

The arrival of a third sculpture, a “Manneken Pis” statue in the city centre (in O’Connell Street), introduces a new note. In O’Casey’s play, it becomes a catalyst for a revolutionary uprising, where the people — especially the youth — overthrow the old order in a joyful, almost carnivalesque manner. The playwright focuses on the human dimension of the revolution, emphasising the liberation and reintegration into the nature of the whole person. 

Donate to the Fighting Fund
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
CONFRONTING HOMOPHOBIA: (L) FCB Cadell, The Boxer, c.1924; (
Exhibition review / 21 March 2025
21 March 2025
While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
BLOOD ON THE TRACKS: Xilun Sun as the mysterious interloper
Film of the Week: / 20 March 2025
20 March 2025
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
Short Story / 7 February 2025
7 February 2025
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
Frantz Fanon at a press conference during a writers' confere
BenchMarx / 28 January 2025
28 January 2025
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
Similar stories
Lux Hotel - the unofficial headquarters of the Comintern
Book Review / 4 April 2025
4 April 2025
RON JACOBS recommends a painstaking study of the communists and revolutionaries who congregated in Moscow after 1917
INSPIRING EXAMPLE: Celebrating the women's strike in Reykjav
Books / 3 April 2025
3 April 2025
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
WILL YE STOP OVER-ACTING? Paul Hilton (Joxer Daly) and Mark
Theatre Review / 10 October 2024
10 October 2024
LYNNE WALSH regrets that unity is denied to a fine cast let down by the baffling spectacle of a poor lead performance
UNHAPPY MARRIAGE: Ofra Daniel and Matthew Woodyatt in Song o
Theatre Review / 15 May 2024
15 May 2024
SIMON PARSONS recommends a musical retelling of the Old Testament story of the sexual awakening of a young childless bride