The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
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The Little Prince, Omnibus Theatre London
Fantasy fun for young children
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz
The Star's critics BRETT GREGORY, JOHN GREEN, MICHAEL BONCZA and ANGUS REID review The Stimming Pool, Misericordia, La Cocina, Irena’s Vow, and The End
CHRIS MOSS welcomes a radical history that brings marginalised stories and overlooked people and agencies to the centre
ANDREW HEDGECOCK relishes visual storytelling with no respect for genres, movements or styles
ALTHOUGH one of the best-loved stories of the last century, Antoine de Saint-Exupery’s enchanting novella The Little Prince is not performed on stage enough.
It’s certainly no common choice for a Christmas production, possibly because the classic children’s fable of love, war, imagination and greed can seem a daunting story to perform for five and six-year-olds.
Yet writer Sally Pomme Clayton and director Marie McCarthy pull it off in this charming version in which a pilot, who’s crashed his plane in the desert, forms an unlikely friendship with a young prince from asteroid B-612.
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