STEVE JOHNSON recommends a protest album with a harder edge than many in the genre
‘It is of extreme importance that artists respond to the times we are living in’
Vocalist and 'oral provocateur' GRASSY NOEL tells Chris Searle what inspires his extraordinary new album
ECLECTIC TASTE: Grassy Noel
DENNIS BROE finds much to praise in the new South African Netflix series, but wonders why it feels forced to sell out its heroine
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
ON GRASSY Noel’s new album TemPestuous Times, cut with supporting group APE, there’s real quality in the unique sonic montage that he achieves.
His editor and sound designer Lu Edmunds put in an enormous amount of work in sound-sculpting the tracks. He says: “For him it’s ‘horspiel,’ a mental movie, an odyssey in space and time.”
More from this author
CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
