RITA DI SANTO draws attention to a new film that features Ken Loach and Jeremy Corbyn, and their personal experience of media misrepresentation
WHEN junior Tory minister Robin Hesketh (Alex Jennings) returns to his idyllic Cotswolds home after a busy summer week in Parliament, he finds foxes making a mess of his garden and his unhappy, drink-sodden wife Diana (Lindsay Duncan), ready to do some destructive emotional digging of her own.
Over the course of an hour-and-a-half without interval, the two sixty-somethings pick, poke and provoke as they range over familiar argumentative territory maritally.
Yet gradually, and at Diana’s insistence, the old, well-rehearsed topics give way to new ones that have lain unconsidered for many years, leading to a dramatic and heartbreaking revelation about a painful incident from the past.
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth



