MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
WHEN junior Tory minister Robin Hesketh (Alex Jennings) returns to his idyllic Cotswolds home after a busy summer week in Parliament, he finds foxes making a mess of his garden and his unhappy, drink-sodden wife Diana (Lindsay Duncan), ready to do some destructive emotional digging of her own.
Over the course of an hour-and-a-half without interval, the two sixty-somethings pick, poke and provoke as they range over familiar argumentative territory maritally.
Yet gradually, and at Diana’s insistence, the old, well-rehearsed topics give way to new ones that have lain unconsidered for many years, leading to a dramatic and heartbreaking revelation about a painful incident from the past.
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review The Six Billion Dollar Man, Avatar: Fire and Ash, Goodbye June, and Super Elfkins
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
SIMON PARSONS is taken by a thought provoking and intelligent play performed with great sensitivity



