In a season of Greek mythology NIAMH THORNTON looks at an intriguing relocation of Medea to contemporary Mexico
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Global Routes with TONY BURKE
Emblematic voices of Djibouti and Cuba offer, respectively, an intriguing exploration and reassuring familiarity
Yanna Momina and Eliades Ochoa
[(L to R) Glitterbeat and IriFe/CC]
By chance, RENATA MEDEIROS MIRRA comes across a fine new two hander about the enduring legacy of the Miners' strike
Rescue care from the realm of sentimentality: what happens when we replace the vertical relationship between benefactor and victim with interdependence, collective organisation and struggle?
New releases by Interpol, Phoebe Bridgers, Lambchop
ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
Re-releases of the classics Gypsy Rhumba and Buena Vista Social Club, and a stunning album by Palestinian artist Faris Ishaq
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
YANNA MOMINA recorded Afar Ways (Giltterbeat) in Djibouti, on the horn of Africa.
Music is a serious business for the rural Afar people. Most of them do not have a television so music is performed every night.
Producer and author, Ian Brennan visited Djibouti in the spring of 2018 and discovered Momina accompanied on a two-string shingle played with nails and a matchbox for maracas. She has a stunning vibrato and writes her own songs.
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