STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Ghost, Wembley Arena London
Base metal for millennials forged by market forces
Clerically surreal: Ghost
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
THE CONCEPT behind Swedish rock band Ghost is a marketing coup. An entirely anonymous outfit, originally centred around the anti-Pope dressed lead singer Papa Emeritus and his band of so-called “nameless ghouls,” the group are kind of a stadium-rock version of Slipknot.
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WILL STONE foresees the refashioning of Beckett’s study of bitter nostalgia given the plethora of self-recording we make in the digital age
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
WILL STONE applauds a quartet of dance vignettes exploring the joys and sorrows of the human condition
